Category: HART Museum Studies Fieldwork Seminar S25

Francis Perrigo, BMC 26’ 

Museum Studies Fieldwork: Harriton House

Semester: Spring 2025

Praxis Course: HART 420 Museum Studies Fieldwork

Faculty Advisor: Monique Scott and Sylvia Houghteling

Field Site: Harriton House 

Field Supervisor: Laura Carpenter 

Praxis Poster:

HART_FrancisPerrigo_Poster

 

Further Context:

As part of my praxis course, I interned at Harriton House, a local historical site once owned by Charles Thomson, the secretary of the Continental Congress. During my time there, I completed a range of archival projects that deepened my understanding of historical preservation and organizational recordkeeping. I organized and archived the records of Nancy Walker, a former president of the Harriton Association, as well as materials from two related groups: the Music Study Club and the Lower Merion Society for the Detection and Prosecution of Horse Thieves and the Recovery of Stolen Horses. I also transcribed handwritten correspondence from Paul Maier, another past association president, which offered insights into collection management and the vast number of uncatalogued materials that Harriton holds. In addition, I worked with Harriton’s book collection, helping to inventory and preserve its holdings. My work took place both in person and remotely, depending on the nature of each project, and I often juggled multiple tasks simultaneously. Beyond archival work, I had the chance to care for Harriton’s animals and interact with visitors.  

During my internship, I spent most of my time in the Archive Room, which is located in Harriton House. It was slow and meticulous work, but it taught me a lot. I learned quickly that attention to detail and focus are incredibly important, and you need to have a good idea of your organization system going in. Even little choices like how to group things or what to label a folder can make a big difference in your final product. As I sorted through the bins and file cabinets, I started to get a feel for how collections come together. I got better at recognizing different types of letters based on typeface and paper, and I could recognize different handwriting such as Nancy Walker’s. It was quiet and time-consuming work, but it made me realize how important backstage effort is when running a historic house.   

Without the efforts of archivists, many important documents like original blueprints or association bulletins could be overlooked during research. I also learned some basic preservation skills such as flattening, removing paper clips and paper pins, and sorting documents into acid-free folders and archival boxes. It was very illuminating to learn just how much work needs to go into preserving documents, even modern ones. I realized that my ability to focus is a valuable asset that I hadn’t previously considered. I also got better at trusting my judgment, staying organized, and managing multiple projects. It increased my already high regard for archival work and all the effort that goes into archival departments, no matter how large or small they are.

Lily Petteway, BMC 25′

Educational Research and
Interpretation at Harriton House

Semester: Spring 2025

Praxis Course: HART 420 Museum Studies Fieldwork

Faculty Advisor: Monique Scott and Sylvia Houghteling

Field Site: Harriton House 

Field Supervisor: Laura Carpenter 

Praxis Poster:

HART_LilyPetteway_Revised

 

Further Context:

My work at Harriton this semester was detail-oriented and research-focused, contributing to the house’s current goal of reinterpretation for its various visitors. Historical homes are often small, intimate spaces, and Harriton certainly falls into these categories. Located just a few minutes from Bryn Mawr’s campus, Harriton House has been standing since 1704 and is best known as the residence of Charles Thomson, Secretary to the Continental Congress from 1774 to 1789. Harriton highlights the critical role that local histories play in shaping historical engagement, interest, and education. 

My work centered upon Hannah Harrison Thomson, the inheritor of the Harriton property and Charles Thomson’s wife. After his political career that took Hannah from city to city, Thomson decided to retire the two to Harriton. My goal was to find as much information on Hannah as possible, whether that be through memorandum books or epistolary commentary on Charles’ political affairs. This had me not just digging through Harriton’s archives, but also visiting Philadelphia-based institutions like the Historical Society of Pennsylvania, the American Philosophical Society, and the Independence National Historical Park Library. I sifted through and transcribed any letter I could find that was even tangentially related to Hannah, often having to read between the lines given how much historical commentary is focused on Charles instead. This was quiet, independent work but with a scavenger-hunt edge. Hannah’s letters were frequently witty, irreverent, and full of personality, which made highlighting her story at Harriton an exciting undertaking. 

Towards the end of the semester, I began compiling a Girl Scouts “Playing the Past” activity curriculum for girls aged 9-11 visiting Harriton. This ended up being more challenging than I had imagined as I had to think about how I wanted to interpret and synthesize my research for a younger audience. For the badge, girls visit a historical site and step into the shoes of a woman related to the site. I wanted to include a mix of activities that showed the potential limitations for late-eighteenth-century women but also show how women could still carve out spheres of influence for themselves; after all, Hannah’s life experience was so variant given her sudden shift out of the urban, social sphere into the homestead setting of Harriton. Letter/diary writing, mock portrait making, and exploring the house to locate Hannah’s influences were some activities I incorporated. 

Something I came to appreciate throughout my time at Harriton was how community-oriented the site is. The house is very receptive to outside visitors, nearby residents, volunteers, donors, and members that I frequently got to interact with. Harriton has become a staple of the surrounding community and serves not only to preserve that community’s past, but also consider its future. By hosting numerous events that celebrate Lower Merion’s history, running children’s programs, and even simply caring for the goats so beloved by visitors, Harriton fosters engagement that keeps local stories alive. 

Ella Sokulski, BMC 27′

Museum Studies Fieldwork: Wexler Gallery

Semester: Spring 2025

Praxis Course: HART 420 Museum Studies Fieldwork

Faculty Advisor: Monique Scott and Sylvia Houghteling

Field Site: Wexler Gallery

Field Supervisor: Maeve Daly

Praxis Poster:

HART_EllaSokulski_Revised

 

Further Context:

Over the course of the spring semester, I had the pleasure of interning at Wexler Gallery, an art gallery in Philadelphia’s Fishtown. Wexler Gallery focuses on exhibiting collectible design and artwork; these categories span fine arts, such as paintings to glass, and light design. As an intern, I became aware of the daily workings of an art gallery and explored each facet of gallery life.

Through my internship, I explored numerous online platforms used by the gallery, including FileMaker Pro, ArtBase, Squarespace, 1st Dibs, Incollect, and Constant Contact. Part of my responsibilities as an intern were to make sure these online platforms were up-to-date. This included adding contacts and art to ArtBase, adding people to the mailing list, updating pieces on 1st Dibs and Incollect to be sold, updating information on the website, and contacting museums and designers to promote our artists.

Along with the digital aspect of my internship, I was also a part of putting together the Henry Bermudez exhibition. I accompanied Maeve, my field supervisor, to Bermudez’s studio to take photos and dimensions of his art for the show, and organized them online so that they were easy to reference. I was able to help with the curatorial process and assisted in the arrangement of the art. Along with the technical side of the exhibition, I also helped with facilitating the opening.

Interning at Wexler Galler was an amazing experience where I got to experience the daily activities of an art gallery. I gained valuable skills for online databases and for working with other websites, such as Incollect. The staff at Wexler Gallery was extremely welcoming and eager to help me figure things out, I am so thankful for all that I learned.

Deora Starobin, BMC 26′

Exhibition Labeling at Woodmere Art Museum

Semester: Spring 2025

Praxis Course: HART 420 Museum Studies Fieldwork

Faculty Advisor: Monique Scott and Sylvia Houghteling

Field Site: Woodmere Art Museum

Field Supervisor: Amy Gillette

Praxis Poster:

HART_DeoraStarobin_Revised

 

Further Context:

This semester I worked at the Woodmere Art Museum, located in Chestnut Hill, Philadelphia. This is a smaller scale institution that focuses on the artworks and artists of the greater Philadelphia region and their social ideas in the broader context of American art. They have a phenomenal collection of works inside their 19th-century building, as well as an array of outdoor sculpture installations. I had the incredible opportunity to work in the curatorial department under their Associate Curator, Amy Gillette.

In collaboration with two other interns from Bryn Mawr, I got to help Amy organize the artworks Woodmere was planning on exhibiting in their new building opening this fall, Maguire Hall. This project became something that I was able to work on in a hybrid format—Doing most work independently, while coming to Woodmere bi-weekly to check in on my progress and to get to know the museum a bit better. I started by sorting through a long document of all the works that would be displayed in the new building and figuring out which ones already have object labels and artist biographies. I was also responsible for cross-referencing the museum’s information with what is currently on their collections website. Many of these works already had labels and biographies online, though some had never been written about before. I found this part of the project to be repetitive and task-oriented, and thus it felt rewarding when the long document had finally been fully sorted through.

The next part of the project involved going through the pre-existing labels and biographies and creating revisions. Some of the artists are still living, so it was important to make sure their information was up to date. Some of the object labels were a bit short or lacked detail, so I did my best to create more nuanced formal descriptions and include some art historical analysis. I tried my hand at writing a couple artist biographies from my own research, which I found came much easier to me than the object labels. I also found supplemental readings for the labels, so readers could learn more about certain art movements or artists that were relevant to the piece.

Although this process was difficult at first, I really enjoyed doing this independent work. I feel as though my research and writing skills have improved substantially, and I think it will be neat to see what I worked on when I visit the new building in the fall. Additionally, I am so grateful to Amy, my supervisor, for introducing me to her colleagues and letting me sit in on various departmental meetings at the museum. I found this to be an incredibly fulfilling firsthand experience to the behind-the-scenes world of a local art museum.

Maia Roark, HC 25′

Curating the Past: Preserving the Future

Semester: Spring 2025

Praxis Course: HART 420 Museum Studies Fieldwork

Faculty Advisor: Monique Scott and Sylvia Houghteling

Field Site:  Historical Society of Pennsylvania

Field Supervisor: Brianna Quade

Praxis Poster:

HART_Maia Praxis Poster (24 x 36 in)_Revised

 

Further Context:

This semester, I interned at the Historical Society of Pennsylvania (HSP). I was lucky enough to work in the Learning and Engagement Department under Brianna Quade, the Community Engagement Coordinator.

For a little introduction, HSP opened in 1824 as a way to preserve valuable documents of the American Revolution. Today, HSP’s collection includes over 21 million items, most of which are books, manuscripts, photographs, and newspapers. The archive rests in the heart of Center City, several blocks away from City Hall. One of my favorite things about HSP is that all of the objects are in one building. If you sit down in the Hogwarts-esque reading room and request something — say, an 18th-century ornithology book, a 10-foot SEPTA map, or a David Kennedy watercolor — it will be brought to you. There are so many items that even HSP’s staff regularly find materials they never knew we had. (One of the most recent ones was the diaries and briefcase of a traveling salesman who traveled with his pet raccoon, Dimples).

My work mainly involved working on an upcoming exhibit entitled Voices of the Community: Local Black Preservation. I spent the beginning months of the internship sifting through different collections, trying to find materials that resonated with me. I finally settled on the Nellie Rathbone Bright collection. Over the next few weeks, I researched Ms. Bright and put together a wall case that highlighted significant moments in her life. Ms. Bright worked as the principal for three different Philadelphia schools in the mid-20th century. She constantly strove to make her community a better place, planting gardens, building playgrounds, and generally improving the areas around her schools. In a particularly touching photograph, Ms. Bright poses with several teachers and schoolchildren next to a TV: the first of its kind at her school.

Overall, one of the most memorable experiences of this internship was the feeling of tapping into the great Philadelphia community. As a Haverford student, I sometimes forget how isolated the campus is. My internship at HSP not only made me feel like I was in the know, but also made me feel like I was doing something about it. When Macy’s announced that they were closing the historic Wanamaker Building, America’s first department store, HSP invited the public to come view its Wanamaker Collection which included drawings, photographs, and letters about the building. I got to help set up documents for a WHYY segment on Wanamaker.

Finally, I am so grateful for my experience at HSP. This is my second time interning in its Learning & Engagement Department, and I have learned so much about working in the museum field. Above all, I have learned the importance of a positive work environment. Thank you to Brianna, Justina, Selena, and Katie for such a great spring semester.

Eleanor Toyama, BMC 26′

Penn Museum: Into the Collections

Semester: Spring 2025

Praxis Course: HART 420 Museum Studies Fieldwork

Faculty Advisor: Monique Scott and Sylvia Houghteling

Field Site: The Penn Museum

Field Supervisor: The Penn Museum

Praxis Poster:

HART_EleanorToyama_REVISED

 

Further Context:

For my Museum Studies Fieldwork experience, I got the opportunity to work with Katy Blanchard, a Bryn Mawr alum, in the Near East collections of the Penn Museum. I worked alongside another Bryn Mawr intern, Sally Jamrog, in completing the photographic inventory of material excavated from the site of Beth Shemesh on the outskirts of Jerusalem. The site was occupied from about 2000 BCE by the Canaanites, and is mentioned in the Old Testament as an important biblical city. This means we were working with objects over 4000 years old, such as ceramic lamps, dishes, jugs, stoneware, and even some semiprecious stones used as jewelry. Being in contact with these objects twice a week for so many hours at a time was an incredible opportunity, and drew me even closer to the ancient world.

Sally and I proceeded methodically through shelves of objects, checking that each item was in its place, and then bringing them to the next stage. We photographed the objects against a gray backdrop and made decisions about how to best position each piece to highlight the most diagnostic elements. We then put the items in new containers, either plastic bags or boxes, writing the identifying museum numbers in fresh Sharpie. After that, the objects got placed back on the shelves, and we organized them in the most efficient way to maximize visibility and ease of access. This was the flow of most of our work days—some other times, we went on visits upstairs (out of the collections basement!) to the galleries, to look at item examples, or to archives, to check out the field notes of the items we were handling.

Throughout this experience, I’ve gotten a very hands-on perspective of the everyday work that goes into managing the collections at a museum, and specifically an archaeological one. This is especially pertinent as I am a Classics major, so I am glad that I was able to bring that viewpoint to work that deals with the kind of things that I am studying directly in my other courses. I’ve gained a new appreciation for the little objects, with lots of credit to my supervisor Katy’s enthusiasm and pure love for her job and all it entails. I went into this course with the hope of learning a bit more about the behind-the-scenes of a museum, and I am emerging with the knowledge that collections management is a fulfilling experience that presents new discoveries every day.