Category: Spring Semester 2025

Ella Sokulski, BMC 27′

Museum Studies Fieldwork: Wexler Gallery

Semester: Spring 2025

Praxis Course: HART 420 Museum Studies Fieldwork

Faculty Advisor: Monique Scott and Sylvia Houghteling

Field Site: Wexler Gallery

Field Supervisor: Maeve Daly

Praxis Poster:

HART_EllaSokulski_Revised

 

Further Context:

Over the course of the spring semester, I had the pleasure of interning at Wexler Gallery, an art gallery in Philadelphia’s Fishtown. Wexler Gallery focuses on exhibiting collectible design and artwork; these categories span fine arts, such as paintings to glass, and light design. As an intern, I became aware of the daily workings of an art gallery and explored each facet of gallery life.

Through my internship, I explored numerous online platforms used by the gallery, including FileMaker Pro, ArtBase, Squarespace, 1st Dibs, Incollect, and Constant Contact. Part of my responsibilities as an intern were to make sure these online platforms were up-to-date. This included adding contacts and art to ArtBase, adding people to the mailing list, updating pieces on 1st Dibs and Incollect to be sold, updating information on the website, and contacting museums and designers to promote our artists.

Along with the digital aspect of my internship, I was also a part of putting together the Henry Bermudez exhibition. I accompanied Maeve, my field supervisor, to Bermudez’s studio to take photos and dimensions of his art for the show, and organized them online so that they were easy to reference. I was able to help with the curatorial process and assisted in the arrangement of the art. Along with the technical side of the exhibition, I also helped with facilitating the opening.

Interning at Wexler Galler was an amazing experience where I got to experience the daily activities of an art gallery. I gained valuable skills for online databases and for working with other websites, such as Incollect. The staff at Wexler Gallery was extremely welcoming and eager to help me figure things out, I am so thankful for all that I learned.

Deora Starobin, BMC 26′

Exhibition Labeling at Woodmere Art Museum

Semester: Spring 2025

Praxis Course: HART 420 Museum Studies Fieldwork

Faculty Advisor: Monique Scott and Sylvia Houghteling

Field Site: Woodmere Art Museum

Field Supervisor: Amy Gillette

Praxis Poster:

HART_DeoraStarobin_Revised

 

Further Context:

This semester I worked at the Woodmere Art Museum, located in Chestnut Hill, Philadelphia. This is a smaller scale institution that focuses on the artworks and artists of the greater Philadelphia region and their social ideas in the broader context of American art. They have a phenomenal collection of works inside their 19th-century building, as well as an array of outdoor sculpture installations. I had the incredible opportunity to work in the curatorial department under their Associate Curator, Amy Gillette.

In collaboration with two other interns from Bryn Mawr, I got to help Amy organize the artworks Woodmere was planning on exhibiting in their new building opening this fall, Maguire Hall. This project became something that I was able to work on in a hybrid format—Doing most work independently, while coming to Woodmere bi-weekly to check in on my progress and to get to know the museum a bit better. I started by sorting through a long document of all the works that would be displayed in the new building and figuring out which ones already have object labels and artist biographies. I was also responsible for cross-referencing the museum’s information with what is currently on their collections website. Many of these works already had labels and biographies online, though some had never been written about before. I found this part of the project to be repetitive and task-oriented, and thus it felt rewarding when the long document had finally been fully sorted through.

The next part of the project involved going through the pre-existing labels and biographies and creating revisions. Some of the artists are still living, so it was important to make sure their information was up to date. Some of the object labels were a bit short or lacked detail, so I did my best to create more nuanced formal descriptions and include some art historical analysis. I tried my hand at writing a couple artist biographies from my own research, which I found came much easier to me than the object labels. I also found supplemental readings for the labels, so readers could learn more about certain art movements or artists that were relevant to the piece.

Although this process was difficult at first, I really enjoyed doing this independent work. I feel as though my research and writing skills have improved substantially, and I think it will be neat to see what I worked on when I visit the new building in the fall. Additionally, I am so grateful to Amy, my supervisor, for introducing me to her colleagues and letting me sit in on various departmental meetings at the museum. I found this to be an incredibly fulfilling firsthand experience to the behind-the-scenes world of a local art museum.

Eleanor Toyama, BMC 26′

Penn Museum: Into the Collections

Semester: Spring 2025

Praxis Course: HART 420 Museum Studies Fieldwork

Faculty Advisor: Monique Scott and Sylvia Houghteling

Field Site: The Penn Museum

Field Supervisor: The Penn Museum

Praxis Poster:

HART_EleanorToyama_REVISED

 

Further Context:

For my Museum Studies Fieldwork experience, I got the opportunity to work with Katy Blanchard, a Bryn Mawr alum, in the Near East collections of the Penn Museum. I worked alongside another Bryn Mawr intern, Sally Jamrog, in completing the photographic inventory of material excavated from the site of Beth Shemesh on the outskirts of Jerusalem. The site was occupied from about 2000 BCE by the Canaanites, and is mentioned in the Old Testament as an important biblical city. This means we were working with objects over 4000 years old, such as ceramic lamps, dishes, jugs, stoneware, and even some semiprecious stones used as jewelry. Being in contact with these objects twice a week for so many hours at a time was an incredible opportunity, and drew me even closer to the ancient world.

Sally and I proceeded methodically through shelves of objects, checking that each item was in its place, and then bringing them to the next stage. We photographed the objects against a gray backdrop and made decisions about how to best position each piece to highlight the most diagnostic elements. We then put the items in new containers, either plastic bags or boxes, writing the identifying museum numbers in fresh Sharpie. After that, the objects got placed back on the shelves, and we organized them in the most efficient way to maximize visibility and ease of access. This was the flow of most of our work days—some other times, we went on visits upstairs (out of the collections basement!) to the galleries, to look at item examples, or to archives, to check out the field notes of the items we were handling.

Throughout this experience, I’ve gotten a very hands-on perspective of the everyday work that goes into managing the collections at a museum, and specifically an archaeological one. This is especially pertinent as I am a Classics major, so I am glad that I was able to bring that viewpoint to work that deals with the kind of things that I am studying directly in my other courses. I’ve gained a new appreciation for the little objects, with lots of credit to my supervisor Katy’s enthusiasm and pure love for her job and all it entails. I went into this course with the hope of learning a bit more about the behind-the-scenes of a museum, and I am emerging with the knowledge that collections management is a fulfilling experience that presents new discoveries every day.

Lucy Cambefort (BMC 25′), Angie Quiroz (BMC 26′), Fiona Shen (BMC 27′)

Data Visualization for Reservoir Concentration

Semester: Spring 2025

Praxis Course: DSCI 310: Data in Action

Faculty Advisor: Jennifer Spohrer

Field Site: Discovery Center

Field Supervisor: Bria Wimberly

Praxis Poster: 

DSCI_WaterProject_Revised_PraxisPoster-compressed

 

Further Context:

This semester, our team collaborated with The Discovery Center to create a visualization model demonstrating the evolution of abiotic factors over time, using data collected from Lake Vickers on the Bryn Mawr campus, provided by Professor Tom Mozdzer. The reservoir at The Discovery Center spans 38 acres and is just under 8 feet deep. Structurally, it resembles a bathtub, with steep walls leading down to a flat bottom composed of concrete and brick. Originally, water was pumped in from the Schuylkill River, but it is now primarily replenished through precipitation. It is currently the largest body of freshwater in Philadelphia.

By collecting and publishing data on the water chemistry of the reservoir, the community can learn more about the biodiversity and in turn improve the environmental conditions of the center. This will also make Professor Mozdzer’s data available for the college to further research on the sustainability of the campus. To make this work, we reproduced the graphs from Zentra Cloud in R, and created a StoryMap using KnightLab to make the data accessible and informational to the public.

We were able to use the data continuously uploaded in real time to the ZentraCloud platform through the sensors installed in Lake Vickers by Tom Mozdzer. Months worth of information on the environment and chemistry of the water stored on Zentra proved to be an invaluable source we could work with to create our model. However, Zentra is only accessible through obtaining the credentials of an account, which is expensive and in turn creates difficulties for allowing more people to use the data.

We took on the added challenge of recreating a graph from Zentra using R Studio, which is public and free, that would serve as a model for making this data accessible to Bryn Mawr. This would also allow for the data to be used in other classes and further the research started by Professor Mozdzer. We were able to write out the code for plotting graphs using csv files, which would be the outline for the Discovery Center to use once they collect their own data from the reservoir using sensors they intend on installing. This process pushed our coding skills and our ability to make use of the resources provided by the college, such as the office hours held by the Digital Humanities department.

In order to display the graphs created with R Studio, we searched for a platform that allowed The Discovery Center to present monthly water chemistry data from different locations in the reservoir and ultimately embed it onto their website. We found StoryMap, a user-friendly tool from KnightLab that allows users to add descriptions and graphs to various locations using coordinates which are important to graph points in the reservoir. This would be a great way to incorporate advanced graphs using R to customize visualizations. While StoryMap focuses on spatial data, StoryLine is another tool used to display information uploaded from spreadsheets to create interactive graphs. This tool also has the option of including descriptions for specific data points, allowing the public to understand changes in levels of dissolved oxygen, pH and temperatures over time, as well as other chemistry data.

Our next steps for the Discovery Center is to present the code we have been working on and our data visualizations to the staff in a virtual presentation in May. We hope for them to use our visualization model as an example and apply it to their own water data. In the long road, they would produce code that updates their visualizations regularly with real time data and embed the StoryMap onto their website. This would allow for communities and the public to view their water data and gain insights on water chemistry like temperature, DO, pH, etc at the center, while also including biotic factors as well like aquatic insects. This will help their goals in measuring how those populations vary over time in different locations, seeing what is affecting them.