Praxis Course: Museum Studies Fieldwork Seminar
Semester: Spring 2026
Faculty Advisor/Professor: Professor Monique Scott
Community Partner: Public Trust
Praxis Site Supervisor: Aaron Levy
Praxis Poster:
HART_DianaEscobar
Further Context:
Having grown up in Philadelphia, a city considered the birthplace of American museums, the role museums play in communities and how they interact with the public has always been part of my interests. Being interested in the field, I sought out experiences to understand how larger institutions work. After in a various number of museums in the city, I had not experienced what it was like to be in a smaller, more intimate cultural nonprofit until my praxis this Spring with Public Trust. Located between the University of Pennsylvania and West Philadelphia on 40th Street and Walnut, Public Trust offers free programs on health, education, and ecology. It collaborates with artists, thinkers, and community members through public conversations and film screenings to foster dialogue around everyday issues. Taking a W.E.B. Du Bois approach of finding hope in times of hopelessness, its mission is to restore trust in collectivity and the
common good. Through this experience, I saw both the daily operations behind the organization and how care and reciprocity shape its community building.
During my time at Public Trust, I worked on a range of projects under Executive and Artistic Director Aaron Levy and Executive Assistant Jabriya Calabrese. One major project was the planning of a multi part installation by artist Daniel Faust, Presidents, featuring photographs of wax figurines of American presidents from museums in the United States and Europe. The exhibition will take up four walls in the front gallery. My role included measuring the gallery walls and sharing dimensions with the artist to ensure the prints fit, along with contributing to conversations about layout and adjustments. As plans developed, we had to balance the artist’s vision with practical concerns like accessibility. For installation, we explored alternatives to drilling into masonry walls, including using magnets. We also connected with installers who had worked with the Institute of Contemporary Art. Although the installation is still upcoming, the process required ongoing coordination and patience to prepare for a smooth install.
Another project I worked on was the book Curating Engagement, based on a 2025 retreat about engagement in cultural institutions. I helped finalize the manuscript for publication by reviewing the full text and editing for grammar, clarity, and formatting. Working closely with Aaron Levy and Jabriya Calabrese, we completed revisions under a tight deadline and sent the book to print. The release included an opening reception in Chicago, along with an excerpt published on Hyperallergic for outreach.
Alongside these larger projects, I supported day to day operations. This included drafting language for grant proposals such as those for the Warhol Foundation, helping build a bookshop section for the website, preparing technology and setup for public programs, and packaging and shipping books. These tasks showed me how essential this work is to keeping the continuation of Public Trust’s core and reach. They form the backbone of the organization, and through them I saw how much care and coordination goes into sustaining Public Trust’s mission.